However, this may not have been Diaz's intention at all. He may have simply been trying to emphasize the third person viewpoint and that the reader is merely witnessing the events. This opening statement requires the reader to place themselves in a position somewhere, hovering above the lives of the characters, viewing them from an unattached vantage point. This is much the way in which one views an ant hill.

crisp spring breeze caresses her hair and a few strands blow across her tanned face. She shivers for a moment, but the chill passes as the golden sunlight creeps over the trees nearby. Suddenly the landscape erupts in pastel colors, at once soft and bright. As the sun rises, it freely gives its warmth to the girl's young skin, which responds with joy. Her feelings are contagious: surrounded by

Childhood Experience Childhood place: Past and present When I was very young, my maternal grandmother was the host of every family get-together. My parents and I would drive what seemed like an eternity on the highway to get to her small, slightly shabby corner house. My grandmother was very set in her ways and didn't like to change things, so the house had remained relatively the same in its exterior appearance and

Multimedia options and technology buttress need for graphic design Technology, as they say, is everywhere. And it's in everyone's hands. Fifteen years ago, cell phones were still uncommon among adults. Today, it seems peculiar if a young child doesn't own one, too. But phones are just a mere segment of the communication and multimedia explosion. The emergence of smartphones, Blackberries and iPads have made information accessible and available immediately, right upon our

Gothic Literature Art, as defined by Plato in his paradigmatic work The Republic, serves both as a definition qua definition - a way of telling us what art should be in and of itself - and as an exemplar of other aspects of society. Plato was fundamentally concerned with the relationship between the world and art (including all media of art) because he argued passionately that the true purpose of literature

Materiality is a tool in which should be incorporated into the performative deign, but also allows a design to enhance a form or space and invoke different emotions. "First, material artifacts engage us with all our senses. Materiality comprise physical properties such as texture (roughness or smoothness, details), geometry (size, shape, proportion, location in space, and arrangement in relation to other objects), material (weight, rigidity, plasticity), energy (temperature, moisture), as